Anthony

Erschienen: 30.09.2026

Learning to Be a Popular Music Producer

An Educational, Entrepreneurial, and Personal Guide for Aspiring Music Producers

Taylor & Francis Ebooks

ISBN 978-1-040-63084-6

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auch verfügbar als Buch (Hardcover) für 214,50 € auch verfügbar als Buch (Softcover) für 53,00 €

Bibliografische Daten

eBook. ePub. Kein DRM

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2026

25 schwarz-weiße Abbildungen, 24 schwarz-weiße Fotos, 1 schwarz-weiße Zeichnungen, 15 schwarz-weiße Tabellen.

In englischer Sprache

Umfang: 298 S.

Verlag: Taylor & Francis Ebooks

ISBN: 978-1-040-63084-6

Produktbeschreibung

Learning to Be a Popular Music Producer takes the skills and processes traditionally cultivated by students in Popular Music Production higher education courses and makes them accessible to anyone seeking to become a popular music producer.

Informed by the author's 30+ years of industry experience as a music producer, combined with his 26 years' experience as an educator, the book begins by providing readers with the essential knowledge required to pursue a career as a popular music producer. Part I simplifies the more complex technical skills of audio sculpting, vocal production, and mixing and mastering, and demystifies the theory-based territories of semiotic meaning, musical aesthetics, and producer psychology. Part II builds on this foundational knowledge by unpacking the essential soft skills which a successful popular music producer must develop, and guides readers on how to leverage that knowledge into their practice. The final part of the book offers an experience-informed guide to realities of pursuing and maintaining a successful career in the music production industry. Each chapter features practical learning exercises which can be applied directly to the reader's professional practice.

This book will be a helpful resource for students of popular music production, but will also serve as an invaluable guide for those outside of education settings aiming to pursue a career in popular music production

The book is also supported by e-resources, including downloadable audio examples, music sessions, and listening activities to consolidate readers' understanding of technical production applications and mixing processes covered in Part I.

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